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Vanitas 6 (Fig leaves)
Silkscreen with Chine-collé, on cotton rag paper 24 x 36 inches 2022 A further exploration of surveillance, and erasure led me to introduce a series of silhouettes based on drawing of fig leaves, a biblical reference to shame of ones nakedness. In this case, the fig leaves are not discreet, but dominate the figure obscuring the face and human form.
Vanitas #5
Silkscreen and collage, acetate film, on paper, 24 x 36 inches, 2022
Congregation+Conflagration
Silkscreen, collage, and oil pastel on paper, 24 x 36 inches, 2022
Vanitas #1
Silkscreen, on paper, 24 x 36 inches, 2022
Vanitas #9
Silkscreen chine-collè with silkscreen on cotton rag paper, 24 x 36 inches, 2022
Vanitas #2
Silkscreen, on cotton rag paper, 24 x 36 inches, 2022 paper, 24 x 36 inches, 2022
Vanitas #7 (Fig Leaf)
Silkscreen with Chine-collé, on cotton rag paper, 24 x 36 inches, 2022
Spartan
Oil pasten, silkscreen, collage, on paper, 28 x 39 inches, 2022
Vanitas 8 (Mask)
Silkscreen with Chine-collé, on cotton rag paper 22 x 30 inches 2022
Vanitas 8 (Mask)
Silkscreen with Chine-collé, on cotton rag paper 22 x 30 inches 2022 I began a series of prints during a residency at the Guttenberg Arts studio in New Jersey. The project began as an examination of stills from police surveillance films taken of gay men in public restrooms from 1960. I became interested how surveillance might be layered over with flowers, and still life scenes, introducing layers of decoration and protective camouflage, obfuscations that may be simultaneously an erasure, and a shield.
Vanitas #3
Silkscreen, on cotton rag paper, 24 x 36 inches, 2022
Vanitas #4
Silkscreen, on paper, 24 x 36 inches, 2022
Vanitas 22 (Blue, Gold)
2022, silkscreen and acrylic on cotton rag paper, 24 x 36 inches, by Andrew Cornell Robinson
Vanitas 21
Silkscreen on cotton rag paper 22 x 30 inches 2022
